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23 Jan 2021

(Co-edited with Kavita Singh), No Touching, No Spitting, No Praying: The Museum in South Asia. Vivan Sundaram, ‘Miniature Monument with Two White Graves’, from Memorial, 1993, mixed media installation, courtesy of the artist, photo by Gireesh GV. South Asia. After graduating from the MS University, Baroda in 1965, Sundaram held a Commonwealth Fellowship for study at the Slade School, London between 1966-68, becoming politically active as a student and remaining so afterwards. Cross-Cultural Dialogue Since 1990 he had made installations that include sculpture, photographs and video. Vivan Sundaram lives in Delhi. 1990 ‘Vivan Sundaram’, directed by Asha Narang Spaak. Memorial: An Installation with Photographs and Sculpture 1993, AIFACS Galleries (New Delhi - India), Sakshi Gallery (Mumbai - India), Project Space Tate Modern (London - UK) and Khoj International Artists' Association (New Delhi - India). Publisher: New Delhi Tulika Books 2017 Description: 309p. The retrospective careens through different shifts in Sundaram’s art practice and his explorative approaches. He studied painting at the Faculty of Fine Arts, M.S. University of Baroda and Slade School of Art, London. Social Action. Collection of the artist, New Delhi. ), The Migrant’s Time: Rethinking Art … Dell Upton What Can and Can’t Be Said: Race, Uplift, and Monument Building in the Contemporary South Yale University Press, 2015. One of the first Indian artists to work with installations, Vivan Sundaram is globally renowned for his prolific art practice, spanning multimedia formats and poignant themes of social perception, memory, and history. Vivan Sundaram Just as site specific installations take from architecture the plan and structure of objects in space, theatre is present within installation practice as a performative mis-enscène. http://www.gallerychemould.com/artists/vivan-home/ About the Book. His aunt, the late Amrita Sher-Gil, left a legacy that inclined him towards art. Installation view of VIVAN SUNDARAM ’s “Step Inside and You Are No Longer a Stranger,” at Kiran Nadar Museum of Art, New Delhi, 2018. He returned to India in 1970 and continued painting. He studied at the Faculty of Fine Arts, MS University of Baroda, Vadodara, and the Slade School of Fine Art, London, in the 1960s. [5] His latest installations and videos often refer to his artistic influences, among them are Dadaism, Surrealism, as well as more recent Fluxus[4] and the works of Joseph Beuys. Asian Art. He was among the first Indian artists to work with installation. The installation titled Meanings of Failed Action: Insurrection 1946. (Co-edited with Miwon Kwon), Making Strange: Gagawaka + Postmortem (A Project by Vivan Sundaram). As a person, Sundaram … In today’s episode of #MeetTheMasters, know more about one of India’s most legendary contemporary artists - Vivan Sundaram. His latest show, “GAGAWAKA: Making Strange” at Lalit Kala Akademi in Delhi, argues Sundaram’s case with forty-five elaborate “wearable sculptures” made in collaboration with designer Pratima Pandey. Vivan Sundaram was born in Shimla in 1943. According to Ashish Rajadhyaksha, ‘As recently as three years ago, Vivan Sundaram was described by a colleague as firmly implanted in an oil-painting tradition “inherited from the grandest years of European Figurative painting”. His parents were Kalyan Sundaram, Chairman of Law Commission of India from 1968 to 1971, and Indira Sher-Gil, sister of noted Indian modern artist Amrita Sher-Gil. This book is an intensive reconsideration of the very first site-specific installation staged in India. He studied painting at M.S. Contemporary Conceptualism. Vivan Sundaram's art comes from his deep interest in the political and a strong attachment to the personal. Gireesh GV. 1943, Shimla / India), based in New Delhi, makes paintings and large-scale conceptual installations. Articles Featuring Vivan Sundaram. Sundaram is an artist who has been consistent in his pursuit of politically honed art. An art exhibition organised by the Safdar Hashmi Memorial Trust in New Delhi as part of its programme `Ways of Resistance', comes as a timely response to events and developments in contemporary In This lecture constructs an account of radical art practice in India through two seminal figures: Vivan Sundaram, the contemporary Delhi-based artist, and Geeta Kapur, the pre-eminent theorist, critic, and curator, and most significant interlocutor of the post-1968 avant-garde generation to which Sundaram belongs. Chapter 2 of book on the photographic projects of Vivan Sundaram, to be published by Tulika, New Delhi. According to Ashish Rajadhyaksha, ‘As recently as three years ago, Vivan Sundaram was described by a colleague as firmly implanted in an oil-painting tradition “inherited from the grandest years of European Figurative painting”. A mammoth ship-shaped structure, decorated in hues of red, yellow and blue, awaited visitors at the studio of renowned contemporary artist Vivan Sundaram. [6] [7], at Culturebase, International Artists' Database, https://en.wikipedia.org/w/index.php?title=Vivan_Sundaram&oldid=989378281, Indian people of Hungarian-Jewish descent, Maharaja Sayajirao University of Baroda alumni, All Wikipedia articles written in Indian English, Articles with unsourced statements from December 2011, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 18 November 2020, at 17:17. Curatorial and organizational work. Take “Collaboration Combines” (1992; … Vivan Sundaram, Great Indian Bazaar, 1997. The ruptures in Sundaram’s practice, especially in his pioneering experiments in installation and video art in the 1990s, are evident. The veteran artist gives an insight into the inspiration and influences behind it. Related Categories. University, Baroda and The Slade School of Fine Art, London in the 1960s. Kapur and Sundaram's archive thus encompasses multiple facets of the art field, from writing and curating to art-making and archiving. Vivan Sundaram (born 1943) is an Indian contemporary artist. Vivan Sundaram: history project : a site-specific installation, Victoria Memorial, Calcutta, 1998 By: Sundaram, Vivan. Installation view of VIVAN SUNDARAM ’s “Step Inside and You Are No Longer a Stranger,” at Kiran Nadar Museum of Art, New Delhi, 2018. Collection of the artist, New Delhi. Memorial 1993–2014 is a room-size installation by Vivan Sundaram that comprises a number of smaller parts that are individually titled.The work was created in response to violent conflict between Hindu and Muslim groups in Bombay (now Mumbai) in the early 1990s. On display are around 180 artworks which include drawings, paintings, sculptures, collages, photo-montages and installations created over a period of five decades. His works in the 1980s showed a tendency towards figurative representations, and dealt with problems of identity. Hong Kong via Asia Art Archive’s Chantal Wong . All images courtesy the artist and Kiran Nadar Museum of Art… University of Washington Press, 2015. Contemporary Indian Art. The positioning of sculptural forms, the presence of the (spectator’s) body within an immersive ambience; these and many other attributes make installation art and theatre twinned genres. Vivan is a key figure in Indian contemporary art who has moved away from the enterprise of easel painting into the realm of versatile mediums over … If until recently, he was able to extend that legacy to become the only Indian artist to consistently provide a political record for his times, to adhere to an art committed to moving society in a socialist direction without reducing the complexity of the issues/languages at stake, then that too was from a grand tradtion: committed, as it was, also to the idea of the work of art.’ With artist biography. According to Ashish Rajadhyaksha, ‘As recently as three years ago, Vivan Sundaram was described by a colleague as firmly implanted in an oil-painting tradition “inherited from the grandest years of European Figurative painting”. (ed. See all articles. Featured in the catalogue are installations dealing with the metaphor of death, created by Vivan Sundaram in 1993. 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